I first came across Thymiopoulos in 2015, on a press trip in Northern Greece. They had a modest table in the corner of a walk-around tasting of Naoussa producers. At the end of a long day of eating well, drinking and tasting, my palate was jaded, and the rest of me felt a bit out of sorts too. Yet somehow the Thymiopoulos wines grabbed my attention. In contrast to most Xinomavro wines in the room, which seemed hard work for me at the time, those of Thymiopoulos stood out for their approachability. Under other circumstances, the other wines may well have been more appealing – I am certainly not averse to austere and astringent wines – but, in my fragile condition that evening, no thank you.
According to The Wine Society, the Thymiopoulos family has been growing grapes for generations, but only in 2003 did they start making their own wine. Since then they have considerably expanded their range and have converted to biodynamic viticulture, all the time building up an excellent reputation for quality. In The Vineyards and Wines of Greece 2017 by Yiannis Karakasis MW, the winemaker Apostolos Thymiopoulos is said to be considered “one of the stars of Greek winemaking” and “is credited with having shifted the flavour tone in Naoussa with his wine Earth and Sky by achieving that elusive combination of a strong tannin structure with a rich palate and fruity depth”. In the same book, Thymiopoulos is listed as one of the 6 best producers in Greece, and Earth and Sky is one of the top 10 indigenous Greek red wines. Jancis Robinson has also recently been praising Thymiopoulos wines, selecting the Jeunes Vignes in her recent Wine of the Week feature (only available to subscribers).
Back in the time I visited Northern Greece, even though Thymiopoulos were making a cheaper Naoussa for Marks and Spencer, the availability of their wine in the UK was quite restricted. But now things are looking up, and currently The Wine Society stock a particularly good range. So, for a local tasting group, a couple of weeks ago I bought five Thymiopoulos wines made exclusively from the Xinomavro grape – four reds of the Naoussa PDO, and one rosé. Also two Rapsani PDO wines, red wines made from roughly equal parts of Xinomavro, Krassato and Stavroto. Here is the bottle line-up (click on the image to enlarge and see the labels more clearly).
I was pleased to note that most of these wines were sealed using Diam corks. Only Earth and Sky and Karavas, the most expensive wines of each PDO, used natural cork, and as far as I know they were also the only two oak-aged wines. I double-decanted all wines a couple of hours before tasting. They all had some fine sediment that was difficult to remove by decanting, but the sediment was so fine, and there was so little of it, that it was not noticeable when tasting. As usual, the scores below are indicative solely of how much I liked the wine at the time of tasting.
Rosé de Xinomavro, Macedonia IGP, 2017, £10.95
Late harvest and unfiltered. Quite intense for a rosé. Pink, verging on a copper-amber colour. Sharp and fresh. Almost vegetal. The fruit on the nose reminded me of a childhood fizzy drink, but I am not sure which. Pleasant, but not classy or classic. Medium high acidity. Dry. Aromatics assertive and intense, and very much as nose. Considering the tannic nature of the grape, I thought there may be some astringency, but no. A strange one. I am not usually a rosé drinker, but I think I liked it ****
Xinomavro, Jeunes Vignes, Naoussa PDO, 2017, £10.95
Medium pale garnet. Intense, mature and complex. Was this really as young as 2017? Medium acidity. Medium astringency. Aromas as nose. Elegant and understated. Drink now. Very pleasant drink. It might have got 5 stars, but initially it felt a tad watery ****
Kayafaz, Single Terroir, Naoussa PDO, 2016, £15.50
According to TWS, a tiny-batch experiment. Medium ruby garnet. Intense. Tar and violets that I associate with Nebbiolo. More primary than the Jeunes Vignes. Medium high acid. High astringency. Intense, as nose. Excellent length. Young and punchy. Good now, but will easily keep going for a few years *****
Earth and Sky, Xinomavro, Naoussa PDO, 2016, £21.00
Old vines, 18 months in large oak barrels, and unfiltered. Another medium ruby garnet wine, but more ruby than the Kayafaz. Medium intense. Hints of one of the components of the Kayafaz aroma, but not the full range. Some oak and coffee. Medium high acid. High astringency. Intense aromatically on the palate. Probably will be better in a few years time, or if I had decanted the bottle earlier. But as it was – ****
Xinomavro Nature, Naoussa PDO, 2016, £14.50
Another experiment according to TWS, this time in low-intervention winemaking, with minimal sulphur and filtration. But I do wonder how that is to be contrasted with the other wines, some of which claim not to be filtered at all. Medium ruby garnet. Nose very similar profile to the Kayafaz. Medium high acid. High astringency. Aromatically, if anything maybe a bit more elegant and supple than the Kayafaz. Note that although this is apparently marketed as a natural wine, it has none of the characteristics you might associate with that; neither weirdness nor vibrant fruit. Nevertheless this is a beautiful wine, and I think my favourite so far. Drink now *****
Terra Petra, Rapsani PDO, 2016, £20.00
Grown on schist, and unfiltered. Medium ruby garnet. Intense tar and violets. Medium acid. Sweet, soft and gentle aromatically. Medium high astringency. As nose. Drink now *****
Karavas, Single Terroir, Rapsani PDO, 2016, £28.00
Indigenous yeasts, and 18 months in French oak. Medium ruby garnet. Tar and violets again, but this time with noticeable oak. Medium acid. Smooth. Vanilla. Medium astringency. Classy wine, with the mark of oak. Good now, but considering the price I hope it will improve. Pleasant enough, but I think I prefer the grape to shine more clearly through the oak ****
All the red wines showed aromas that I associate with the Xinomavro grape – aromas that also remind me of Nebbiolo and which I think of as “tar and violet”. I am however prepared to concede that the description is my rather lazy shorthand for something I have difficulty putting into words. The “violet” bit seems relatively accurate, even if I believe other people use “rose” for the same thing. But the “tar” metaphor is rather over-the-top for a slightly piercing mineral (i.e. not animal or vegetal) note. Another similarity between Xinomavro and Nebbiolo is that, to my taste at least, both share a certain savoury nature, and show relatively little fruit. If all that sounds negative, it is not meant to be. I like both grape varieties very much.
Naoussa wines must be 100% Xinomavro, but Rapsani additionally has Krassato and Stavroto – normally all three varieties in roughly equal parts I believe. I am not sure about the varietal percentages in these particular Rapsani wines, but I cannot say I particularly noticed the influence of the non-Xinomavro varieties.
My notes were written as I tasted the wines, and shown above in that order. But I did return to taste and drink the wines a few times, and on the return tastings I must admit I got more and more uncertain about the differences between them. However a few differences continued to stand out. It was clear that the Earth and Sky remained tight and unyielding. Also that both the Earth and Sky and the Karavas showed oaky notes, and they remained the wines I liked least for current drinking. The other three Naoussas seemed to get more similar to each other, becoming equally delicious, with the Jeunes Vignes standing out in terms of value for money.
Overall it should be emphasised that we all enjoyed all these wines when tasting them, and later when we drank them with food. Perhaps there is something to be learned about the relative popularity of each wine from the left-over quantities? Well, the rosé remains were taken home by someone, but on the basis of the left-over volumes the order of popularity for the reds (most popular first) was: Karavas, Jeunes Vignes, Kayafaz, Nature, Terra Petra, Earth and Sky. The people have spoken!