Subjectivity is not to be sniffed at

“Any fool can have a subjective opinion about wine” is one of the arguments I occasionally see in favour of objectivity in winetasting, and that can be followed by “but experts have invested a lot of time in learning to taste objectively”. There are so many assumptions built into that line of argument I hardly know where to start, but my main counter-argument would be that objectivity in winetasting simply does not exist. However, here I would like to focus on debunking the idea that subjective views are necessarily trivial and to be lightly dismissed. We subjectivists do not all take a swig of wine that hardly touches the sides, and immediately pronounce on its quality.

For me, the ideal person to assess a wine is someone who acknowledges the subjectivity of taste, and yet is happy to give an opinion nevertheless. That person would understand the objective properties of wine, i.e. its physical properties and chemical composition, but also know how those elements translate into the perception of flavour, depending on the environment and individual differences. And of course personal preferences.

In its simplest form, a subjective approach might not be too dissimilar to what is thought to be objective tasting, according to the WSET Systematic Approaches to Tasting Wine for example, but without claiming any objectivity in the final quality assessment. The taster might also like to comment on their sensitivity to the different dimensions of the wine, and how factors other than the wine itself might be influencing its perception.  Of course this is not easy – in fact it is very difficult to do well. But that is really my main point here. A serious subjective approach to winetasting is far from trivial. If anything, the problem is that it is too complex if done well. But that is no excuse for us to stick our heads in the sand and pretend the complexities don’t exist.

Finally, I would add that I think it is important for the taster to say how much they actually enjoy drinking the wine. To me, a quality score, perhaps arrived at by totting up the scores for intensity, balance, persistence etc, is pretty meaningless, and I’d much rather know a taster’s finger-in-the-air feeling about a wine. That is how I score wines, and to be honest I sometimes find that subjective assessments can be hard to arrive at. With conventional wines from classic regions it is a lot easier, because you know more what to expect, and you understand your preferences a lot better. But with more weird stuff (natural wines, I am mainly looking at you) I find it can be more difficult to decide. The problem is in being able to understand the good and enjoyable aspects of an unexpected wine, and when one would best drink it. For example which dishes to match it with. Occasionally I find that a wine that seems promising on initial tasting does not work that well with food, and vice-versa, and established wisdom and accumulated experience with more-conventional wines does not always work.

But I usually get there in the end with my subjective opinion – if not before, then when deciding whether or not to buy more of the same wine.

(In the above, by concentrating on the complexity aspect of subjectivity I have ignored other important aspects. For more on subjectivity and wine, my World of Fine Wine article is a good place to start)

Wine experts, and the wisdom of crowds

It’s a strange thing, expertise. In many areas, I think to call yourself an expert in a very broad subject would sound rather silly. I used to work in engineering research and I don’t recall anyone calling themselves an engineering expert, but there were certainly people regarded as experts in much narrower specialities. Until I came across wine experts I thought an expert is one who knows more and more about less and less. However, wine experts (and here I mean the ones the public see, rather than industry consultants and oenologists) often seem to have knowledge that spans across most of the vast subject of wine – vintage variations, grape varieties, where it’s grown, how it’s made, how to store and serve it, what to drink it with etc etc. Some may specialise to an extent, but even then the areas of speciality are usually quite large. Their depth of knowledge in wine varies tremendously from person to person, but what they have in common is the ability to communicate their wine knowledge – they are essentially critics, writers, broadcasters and teachers.

So are these wine experts to be trusted, or should we listen more to the wisdom of crowds? That is the dichotomy often presented to us, but my answer is no in both cases. We should not trust wine experts per se, just because they are hailed as experts. And I am not even sure what the wisdom of crowds means in the context of wine – I can only imagine it would involve averaging the score of a lot of people you don’t know, who all work with their own rating system. Something which in my book is wrong at many levels.

To me, the only sensible approach is to treat each expert individually, and to do exactly the same for anyone you might regard as a member of the crowd. Each will have a level of knowledge in the subject they are pronouncing on, each will have their own palate and preferences, and each will express their likes and dislikes differently. All those factors are important, whether they are making factual statements about wine or offering opinions. If you do not know the person well, what evidence do they give for any assertions they make? Do they simply assert, or do they refer to another authority, or science? If they talk only from their own experience, how reliable do you think that is? Remember it is very easy to extrapolate way too far from very limited data, and palates and opinions vary a lot.

Personally, if I want factual information, Wikipedia is one of my first ports of call. In one sense it is a wisdom of crowds sort of work, but it is distinguished by the ethos of referencing sources. So if you doubt the article, or if it is important to you to get a particular detail right, you can check the source. Check if that detail is correctly derived from the source, and does the source in turn look reliable? Often it is not possible to do this with the pronouncements of wine experts, and even the best are fallible.

For matters of taste, I trust my own palate mainly, not because it is particularly wonderful, but simply because it is mine. Beyond that, I am most influenced by friends. As we often share and discuss wines I think a lot of that influence is subliminal and ours view tend to merge, but I am also very aware where our tastes are different.

So don’t trust experts just because they claim expertise, and don’t trust crowds just because they are crowds. First and foremost, consider the individuals offering the advice, and the evidence they have. It makes sense – trust me.

Order effects, and linguistic fluency

I thought that subject line would get your attention 🙂

In you have an hour or so to spare, take a look at this lecture by Antonia Mantonakis entitled “Does a wine’s name influence consumer taste perception?”  It also covers other influences on taste perception that have nothing to do with the wine itself.

So, to my list of factors that explain why wine tastes the way it does, it seems we can add the following two:

  1. Order effects
    I mentioned in my earlier list that the previous wine tasted affects how the current one is perceived, but Antonia found more general order effects.  In short sequences of  up to 3 wines, consumers show a preference for the first one.    But for longer sequences, up to 5 wines, the last one is preferred.   This research is briefly referred to in the video, but I could not find a publicly accessible research article to link to.
  2. Linguistic fluency
    Two winery names were made up, one of which was easier to pronounce than the other, but in other respects they were the same. In contrast to how linguistic fluency (ease of reading and pronunciation) affects perception of more basic consumer goods, it was found that a wine associated with the less fluent name tasted better.   More details in the video and this article.  I am sure I have heard it said many times that wines with simple names have an advantage in the market, but maybe that idea came about by the invalid extension of results from other product categories.

I’d like to emphasise that these results refer to reported perceptions.  There is admittedly the issue of whether people say what they really think about a wine, or say what they think they should be saying.  It might even vary from experiment to experiment, but MR scan evidence and a clever experimental design suggest that people at least sometimes say what they really think they perceive.

The final thing I would like to comment on is perhaps the most surprising, at least for those who fancy themselves as wine experts. The subjects in the experiments mentioned in the two points listed above were divided into two categories: those who knew more about wine, and those who knew less. Guess which group was more influenced by the order and linguistic fluency. It was the more knowledgable one!